martedì 29 aprile 2025

Why Did You Leave Riddim


 


 

Inna Roots Riddim

    

Soul Shakedown Party 29 aprile 2025

https://www.podomatic.com/podcasts/piertosi/episodes/2025-04-29T14_53_49-07_00

https://piertosi.podomatic.com/enclosure/2025-04-29T14_53_49-07_00.mp3

Nat Birchall – Bongo Man Dub (Drums In Dub album, AAOS)

Zion I Kings – Forward Eva (Live Free album, I Grade)

Dezarie – Who Is Who (Guardian album, Dezarie)

Aza Lineage – Rule The Sound (VP single)

Micah Shemaiah – When Yuh Right (Jahsolidrock single)

Ilements – Mashing Up The World (As It Is album, Baco)

Jah Defender – Better Days (House Of Riddim single)

F.Y.A.H./Alborosie – I believe (Free Your Authentic Heart album, Dub Rockers)

Alborosie – Come My Way (Greensleeves single)

Jah Lil – Symptoms (Dusty Park Lane EP, Out Deh)

De Strangers/Galas – Mentality (Timeless Bond album, De Strangers)

Zonasun – Roots 'n' Soul (Roots 'n' Soul album, Zonasun Music)

Train To Roots/Shakalab – Gherreros (Roble Rec. single)

Radici Nel Cemento – Nuove Vibrazioni (RedGoldGreen single)

Carlton Livingston – Call The Police (South Rockers single)

Cisco Kid – Reggae Feeling (Bandolero Movement single)

Sanzio – Book Of Proverbs (Bassplate single)

Forelock – Waterfall (Bassplate single)

An Dannsa Dub/Josie Duncan – Sith (Through The Storm album, La Tempesta Dub)

Zion Train/Cara/Paolo Baldini – Recession Dub (Dubs Of Perception album, Universal Egg)

Yami Bolo – Be Still Babylon (Tappa Records Showcase compilation, Real Rock)

Knowledge/Tappa Zukie – What's Yours (Stars 12”)

Tappa Zukie – First Street Girl (Rootsman Connection compilation, Tappa)

Horace Andy/Tappa Zukie – Natty Dread A Weh She Wants (Stars single)

Courtney Melody – Son Of Man (Tappa Records Showcase compilation, Real Rock)

The Vibes Tone – Leaders Of Black Country (Mobiliser Music single)

The Heptones – Marcus Garvey Words Come To Past (Tappa single)

Fatal Vibes – Love Jah (Tappa Records Showcase compilation, Real Rock)

Beres Hammond – Putting Up Resistance (Tappa single)

Leroy Smart – Poor Man Struggle (Tappa single)

The Heptones – World Crisis (Tappa single)

Yami Bolo – Trample The Dragon (Tappa single)

Frankie Paul – Children Of Israel (Tappa Records Showcase compilation, Real Rock)

Prince Allah – Daniel (Stars 12”)

Bun Di Chalawa Riddim


domenica 27 aprile 2025

Reggae Radio Station 27 aprile 2025

https://www.radiopopolare.it/puntata/?ep=popolare-reggaeradiostation/reggaeradiostation_27_04_2025_23_45

https://radiopopolare.it/download.php?file=https://dts.podtrac.com/redirect.mp3/pod.radiopopolare.it/reggaeradiostation_27_04_2025_23_45.mp3


 

Breaking Away Riddim


R&D Vibes 26 aprile 2025 - Brillan Nel Cielo… Con il Prof. Pati Luceri

https://www.pennaverde.it/2025/04/26/red-vibes-podcast-18-stagione-radio-reggae-nuove-produzioni-2024-2025/


https://radio.sonarproject.net/media/podcast/2425/redvibes/redvibes26042025.mp3

In occasione dell’80° anniversario della Liberazione dell’Italia dal nazifascismo abbiamo il piacere di ospitare, anzi, di essere ospitati dal Prof. Ippazio Antonio Luceri, autore di numerose pubblicazioni sul contributo pugliese e meridionale alla Resistenza e alla Lotta di Liberazione.

Con “Pati” presenteremo il suo ultimo lavoro editoriale “Brillan Nel Cielo” ed entreremo nel cuore dei temi caldi del 25 aprile e della sua attualità, alternando contenuti e musica come nello stile e nella tradizione di R&D Vibes che anche in questa puntata vi propone le più recenti produzioni reggae da mezzo mondo nonché la rubrica “l’Almanacco di Laganà” in cui festeggeremo il compleanno di Noel Ellis.

Fresh Bangers Riddim


sabato 26 aprile 2025


 

Luca Casarini e il ricordo di Papa Francesco: «Era fuori dagli schemi, abbiamo riso e pianto insieme. Ci disse "il mondo è in preda a un delirio di orrore, non so più che cosa fare"»

https://corrieredelveneto.corriere.it/notizie/venezia-mestre/cronaca/25_aprile_21/luca-casarini-e-il-ricordo-di-papa-francesco-era-fuori-dagli-schemi-abbiamo-riso-e-pianto-insieme-ci-disse-il-mondo-e-in-preda-a-62232183-688a-471e-9fdb-6a1ff7f4axlk.shtml


Luca Casarini e il ricordo di Papa Francesco: «Era fuori dagli schemi, abbiamo riso e pianto insieme. Ci disse "il mondo è in preda a un delirio di orrore, non so più che cosa fare"»

di Martina Zambon

L'ex leader dei no global e attivista di Mediterranea parla del rapporto con Bergoglio: «Gli regalammo una croce con un giubbotto di salvataggio di un migrante morto, la mise fuori dal palazzo Apostolico»


Il veneziano Luca Casarini, già leader del movimento no Global negli anni Novanta, da tempo è impegnato con la ong Mediterranea per il salvataggio dei migranti che tentano di approdare lungo le coste italiane. «L’unica ong con un cappellano a bordo» specifica Casarini che con papa Francesco, morto lunedì 21 aprile in Vaticano , aveva instaurato un rapporto stretto, personale. Al punto da scrivere un post social in cui ammette, dopo la scomparsa del Santo Padre, di «sentirsi solo».

Come ha conosciuto il pontefice?
«È stato verso la fine del 2019, a novembre. Con l’equipaggio di Mediterranea abbiamo avuto un primo incontro con Francesco. Ci ha voluto conoscere e ci ha invitati a Santa Marta, a casa sua. Con noi c’era don Mattia Ferrari, il nostro cappellano di bordo. La vicinanza con il Papa era già molto concreta anche per via di quel sacerdote a bordo, il primo a collaborare con una ong. È un incontro che non posso dimenticare, meraviglioso, è stata la prima volta in cui l’ho visto di persona e in cui gli ho potuto parlare. Per me, per tutti noi, è stata una cosa enorme. Ci siamo trovati davanti una persona straripante di umanità. Immediatamente ti “interrogava” e faceva sì che tu interrogassi te stesso».


Che altro l’ha colpita?
«Era un uomo fuori dagli schemi, nessuna ritualità, era davvero curioso, interessato a conoscere e per questo chiedeva, poneva molte domande. È stato davvero un grande incontro, e ciò che porterò sempre con me è come si è presentato. Entrando ci ha detto: “Io non so più cosa fare, ditemi voi cosa devo fare, il mondo è in preda a un delirio di orrore, ogni giorno vedo il male che gli uomini possono infliggere ai loro fratelli”. Io ho risposto: “Santo Padre, continua a fare quello che stai facendo”».

In quell’occasione voi portaste una croce come dono, che fine ha fatto?
«Era una croce in vetroresina alta due metri con un life jacket, un giubbetto di salvataggio appeso al centro, recuperato dopo un naufragio e quindi appartenuto, probabilmente, a un migrante che nel Mar Mediterraneo è morto. Sulla croce ci sono scritte le coordinate di quel naufragio. Papa Francesco ha voluto appendere quella croce all’ingresso del Palazzo Apostolico. Ha detto: “tutte le persone importanti la devono vedere…anzi, devono sbatterci contro”».

Che parte ha avuto papa Francesco nel suo percorso di riavvicinamento alla fede?
«Lui ha giocato sicuramente un ruolo importante, è stato uno dei grandi motivi del mio ritorno a una tensione interiore. Una tensione che ho avuto fin da piccolo, fino ai 12 anni. Ho visto Francesco con altre persone, con migranti, rifugiati, lui ti segnava, ti cambiava la vita, era troppo forte l’intensità con cui affrontava il tema della relazione. E poi aveva un modo di fare incredibile, fuori da qualsiasi ritualità gerarchica. Era una persona che ci credeva profondamente e agiva di conseguenza, dal suo ruolo di Papa e quindi con tutta la consapevolezza di avere una responsabilità ma allo stesso tempo era anche profondamente umano e vicino all’ultimo degli ultimi. Lui è stato uno dei motivi per me, Mediterranea e ciò che sto facendo in mare è stato un altro fattore. La prima volta in mare ha aperto in me grandi riflessioni sul senso della vita, sulla spiritualità, sulla figura di Dio e di Gesù Cristo soprattutto, che ritrovi negli ultimi».

Che cosa di Francesco l’ha convinta profondamente?
«Lui era un Papa dei fatti, le parole le faceva uscire ancorate a una pratica concreta, il nostro rapporto è sempre stato così: un discutere sulle parole, sulle Scritture ma da condizioni concrete dell’umano. Ci si poneva il problema di rendere “pratiche” quelle parole. Si discuteva sulla forza dell’amore e poi, insieme, su come andare in Tunisia per soccorrere i deportati nel deserto. Concordavamo sul fatto che l’amore non è un sentimento docile ma sfida anche le leggi costituite se serve. Ecco, lui era uno che usava con attenzione le parole, ci spronava a pescare quanto di buono c’è nella poesia, nell’arte, nella musica per rispondere alla domanda “Che ci faccio io qui?”. Ma era uno che riusciva, nello stesso momento, a dare potenza enorme alla parola ancorandola ai fatti».

Quante volte vi siete visti in questi anni?
«Almeno una decina».

Francesco era un uomo dalle battute fulminanti, più risate o più serietà durante quegli incontri?
«Scherzava spesso, rideva sempre, era anche molto autoironico ma, in realtà, è stato un continuo alternarsi tra lacrime e risate. Non dimenticherò le sue lacrime davanti ai segni delle torture di un rifugiato. Negli anni abbiamo riso e pianto insieme».

Il sostegno, anche economico, a Mediterranea da parte del Vaticano ha suscitato non poche polemiche, che ne pensava il Papa?
«Mi disse: “E’ normale, quando facciamo arrabbiare Satana succede questo, ma non preoccupatevi, noi andiamo avanti».

Lei ha usato le parole di Francesco come prefazione al suo libro La cospirazione del bene…
«Gli ho chiesto di poter pubblicare una sua bellissima catechesi “Mare e Deserto” e lui mi ha detto subito di sì».

Cos’è l’ultima cosa che vi siete detti?
«Era novembre, poco prima del suo ricovero e le sue parole sono suonate come un saluto. Avevamo appena chiuso una riunione sul dramma dei rifugiati in Libia e delle deportazioni in Tunisia, eravamo nel suo appartamento. Lui mi ha indicato un quadro che avevamo alle nostre spalle, raffigura una mano che si tende verso un’altra mano che emerge dall’acqua. Mi ha detto: “Vedi? io quello lo vedo ogni mattina a ricordarmi che cosa dobbiamo fare. Poi mi ha chiesto della Mare Ionio (l’imbarcazione per i salvataggi, ndr), di quando saremmo tornati in mare. E mi ha salutato dicendomi “Ricordati di pregare per me”».

E lei ha pregato per lui?
«Sì, e lo faccio ancora. Francesco è dentro di me, è una presenza con cui mi confronterò spesso, sempre».


Choice or Purpose Riddim


venerdì 25 aprile 2025

The Gangster Riddim


Soul Shakedown Party on Hitz 92 FM Jamaica April 24

https://www.blogger.com/blog/post/edit/1477353304929023711/6051073186490605135#

https://piertosi.podomatic.com/enclosure/2025-04-25T09_40_35-07_00.mp3

Alpheus – From Creation (From Creation album, A-Lone)

Dubmones/Alpheus/Ranking Joe – Sheena Is A Rudie Now (Echo Beach single)

Luciano – Revolution Time (Distrogaad single)

Tanya Stephens – One Last Bridge (Distrogaad single)

Garnett Silk – So Divine (Silky Mood album, VP)

Everton Blender – Blend Them (World Corruption album, Greensleeves)

Wayne Smith – Like A Dragon (Sleng Teng album, VP)

Peter Tosh – African (Equal Rights album, CBS)

U Roy – Chalice In The Palace (Classic Reggae Master Cuts compilation, MC)

Nat Birchall – Solomon Dub (Drums In Dub album, AAOS)

Lone Ark Riddim Force – Love Jah Dub (Psalms In Dub Vol.1 album, A-Lone)

Johnny Clarke – Never Give Up On Jah (Heartical single)

Qshan Dia – Reggae Ambassador (House Of Riddim single)

The Meditations – Educated Fools (Ghetto Knowledge album, Easy Star)

Frank Zappa - Cheaper Than Cheep

https://www.zappa.com/frank-zappa-and-the-mothers-of-inventions-unaired-television-special-filmed-in-june-1974-to-be-freed-from-the-vault-after-more-than-50-years/#/


TWO-HOUR CONCERT FILM AND COMPANION LIVE ALBUM DUBBED CHEAPER THAN CHEEP COMING MAY 9 EXCLUSIVELY ON ZAPPA.COM

WATCH THE TRAILER HERE: https://zappa.lnk.to/CTC_Trailer

“Ladies and gentlemen, we’d like to welcome you to the world’s cheapest television special, which is being manufactured for your edification right here in the midst of our Mothers of Invention rehearsal hall at 5831 Sunset Blvd., Hollywood, California. Can you all turn around and look at each other so everybody who’s watching this can tell where we are and what the inside of this place really looks like. As you can see it’s cheaper than cheap.”
 – Frank Zappa, June 21, 1974

Los Angeles – April 25, 2025 – In the early 1970s music performance shows like “The Midnight Special” “Soul Train,” “In Concert,” and concurrently “The Old Grey Whistle Test” in the UK, were all the rage in America, beaming rock, pop and R&B artists directly into people’s homes across the country, offering an unprecedented at-home concert experience. Inspired by these shows, or perhaps because of potentially not receiving offers to perform on them, or even more likely, wanting to control all aspects of the production, Frank Zappa took matters into his own hands, as he often did.

On the first day of summer, June 21, 1974, Zappa and his band,the Mothers of Invention, invited a small audience to the their humble rehearsal hall on Sunset Blvd. in Hollywood, Calif., for what would be an intoxicating, sweat-drenched two-hour-plus performance. A small film crew equipped with multiple cameras captured every riveting musical moment while the audio was recorded by a mobile recording truck. Unfortunately, when Zappa watched the footage he was devastated to learn, that similar to his Roxy project before it, the audio and video weren’t synchronized. Two months later, Zappa would team up with the Los Angeles-based PBS station KCET and get the sought-after TV special he wanted, later released commercially as The Dub Room Special. As a result, the June concert that he planned to shop to major TV networks was shelved, never to be revisited by Zappa in his lifetime. It languished in The Vault for more than five decades.

Now, more than 50 years after that magical, sweltering summer night in 1974, thanks to advancements in post-production editing tools, fans can experience the concert as if they were there in the front row. Dubbed Cheaper Than Cheep, this never-before-heard-or-seen two-hour concert program reveals the most intimate performance ever captured from the 1974 Mothers lineup, direct from the lovingly resurrected and restored original audio and videotape masters housed in The Vault. 

Directed by Ahmet Zappa and produced by Frank Zappa, Vaultmeister Joe Travers and Ahmet Zappa, Cheaper Than Cheep will be released May 9 exclusively on Zappa.com, uDiscover Music and Sound of Vinyl in a variety of formats, including a special, limited edition multi-format Super Deluxe box set featuring the concert film on Blu-ray with Dolby Atmos, 5.1 surround and stereo mixes, a companion stereo soundtrack presented on both 2CD and 180-gram 3LP picture disc vinyl, plus an extensive 12-page booklet with rare, unseen images and informative liner notes from Travers alongside a detailed and heartfelt remembrance from musician Ruth Komanoff Underwood who performed percussion that evening. The set will be housed in a telescoping slipcase and include four bonus lithographs. The Blu-ray includes four extras – two performances, a blooper reel, and a deep excerpt from the out-of-print Claymation film, “The Amazing Mr. Bickford.” Additional options include a Blu-ray video + 2CD set and a standalone soundtrack on 180-gram 3LP black vinyl.

Watch the Cheaper Than Cheep trailer here: https://Zappa.lnk.to/CTC_TrailerPR
Pre-order Cheaper Than Cheep now: https://Zappa.lnk.to/cheaperthancheepPR

Every aspect of the DIY taping, from the psychedelic light show and stage setup, to the camera crew and audio recording, was self-funded by Zappa, who jokes at the beginning of the concert that it’s “cheaper than cheap.” The use of the intentionally misspelled “Cheep” in the title is both a nod to his song “Cheepnis,” about his love for cheaply made monster movies of the ‘50s and ‘60s and their inherent charm, as well as a tongue-in-cheek mistake to underscore the shoestring budget it was made on. Inside the hall, the stage was implemented with the band’s current touring equipment, including a basic backdrop and lighting. The concert was captured on multi-camera direct to 2” Quad Videotape, the industry standard at the time, with the audio recorded by the Wally Heider Remote Truck outfitted with two 16-track tape machines, with Kerry McNabb in the engineer’s seat.

Cheaper Than Cheep was assembled by adhering to Zappa’s lead, incorporating all of the planned segments, while sequencing the live material based on performance order and typical 1974 live set lists. A team, led by Ahmet Zappa in the directorial role and Joe Travers as a producer, was assembled to bring the project to life. John Albarian, who worked on “Roxy: The Movie,” edited the performance footage and perfectly and painstakingly matched picture to audio for the first time. Jeremy Rhodes handled additional editing and sweetening while acclaimed audio engineer team Erich Gobel and Karma Auger mixed the concert in immersive Dolby Atmos as well as 5.1 and stereo.

As Zappa Vaultmeister, Travers often came across the audio and video masters, with “June 21st, 1974,” prominently written on the spines, in The Vault, but it was years before he ever discovered the treasure that awaited. As he writes in the liners, “I had no idea what they were or what they were for. They remained a mystery for years. The digital transfers of the elements happened over a long period of time, mostly due to budget and priority. Some were done for identification purposes while Gail Zappa was alive during the 2000s. Imagine how exciting it was for us to finally discover what this stuff actually looked like for the first time. It was a gold mine waiting to be unearthed. Most of the masters were transferred during the ‘Save The Vault’ Kickstarter campaign by Alex Winter circa 2017 or so.”

Zappa’s lineups were ever evolving as members came and went based on The Maestros needs and ever-changing musical direction, and this incarnation of The Mothers of Invention was no exception. Personnel had expanded for a 10 Year Anniversary Tour in March and by June the band had downsized. The lineup, which consisted of Zappa (guitar, vocals), Chester Thompson (drums), George Duke (keyboards, vocals), Jeff Simmons (guitar, vocals), Napoleon Murphy Brock (tenor sax, flute, vocals), Ruth Underwood (percussion) and Tom Fowler (bass), were still finding their groove together and Underwood, who left for several months due to personal reasons, which she beautifully writes about in her essay in the booklet, was re-familiarizing herself with the complex material. On top of that, there were other issues with the shoot, including intense heat from the lighting which at one point made Duke’s keyboards too hot to play. As Underwood remembers, “We had a long rehearsal and a detailed soundcheck that morning. With the lights set, and the photographers and audience crammed into our modest space, the heat in the room became extremely problematic,” adding, “Frank insisted on doing several takes of specific pieces, which added to our general exhaustion.”

However, none of this is apparent in the thrilling performance which features Zappa and the Mothers performing a rousing set of songs from across his already deep catalog, as well as staples that made up his live shows at the time. Songs range from “Cosmik Debris” and the title track from his Apostrophe (‘) album released a few months prior in March, to early versions of the then-unreleased “Village of the Sun” and “RDNZL,” the latter which especially allowed Underwood to shine on marimba, to “Montana” and “Camarillo Brillo” from 1973’s Over-Nite Sensation to Uncle Meat (1969) cuts “The Dog Breath Variations” and “Uncle Meat.” Zappa’s debut album, 1966’s Freak Out!, is represented with three tracks – “How Could I Be Such A Fool,” “I’m Not Satisfied” and “Wowie Zowie – while several songs that would end up on Roxy & Elsewhere a few months later in September were played that night, including “Son of Orange Country” and “More Trouble Every Day.” Other highlights include “Let’s Make The Water Turn Black” from 1968’s We’re Only In It For The Money, live favorites “Dupree’s Paradise” and “Penguin In Bondage” and “Inca Roads,” which would be released the following year on the studio album One Size Fits All. The concert bursts with stunning musical improvisation from all musicians, capped off by Zappa’s legendary guitar workouts.

Interspersed throughout the concert are segments with artist Cal Schenkel, who created many of Zappa’s album covers and Claymation animator and director Bruce Bickford who would collaborate with Zappa for many years on a number of projects, most notably “A Token Of His Extreme” (1976) and “Baby Snakes – The Movie” (1979). This footage is the earliest known of Bickford who had only just recently signed on to Zappa’s production company, Intercontinental Absurdities.

While Zappa might have thought that the band, who hadn’t had many rehearsals together, wasn’t ready for prime time, Cheaper Than Cheep stands as an incredible document of a moment where a band was finding its footing and letting loose having a great time performing together, evident by the ear to ear smiles on their faces. This lineup has become a fan favorite over the years and it’s easy to see why.

“You’ll see a man wearing every possible hat, as he attempts to control all aspects of this filmed event from uncontrollable variable conditions and locations,” Underwood writes of Zappa, adding, “he does this while presiding over and participating in the musical performance. That, in and of itself, isn’t new for FZ, but what is new is that we see it unfold in real time.”

 

CHEAPER THAN CHEEP SUPER DELUXE BOX SET TRACKLISTING

CD1:
1. “Cheaper Than Cheep”
2. Cosmik Debris
3. Band Introductions
4. RDNZL
5. Village Of The Sun
6. Montana
7. Duke Goes Out
8. Inca Roads
9. “Get Down Simmons”
10. Penguin In Bondage
11. T’Mershi Duween
12. The Dog Breath Variations
13. Uncle Meat

CD2:
1. How Could I Be Such A Fool
2. I’m Not Satisfied
3. Wowie Zowie
4. I Don’t Even Care
5. Let’s Make The Water Turn Black
6. Dupree’s Paradise Introduction
7. Dupree’s Paradise
8. Oh No
9. Son Of Orange County
10. More Trouble Every Day
11. Apostrophe’
12. Camarillo Brillo 5:53

Disc 3: Blu-ray
Audio: Dolby Atmos (48k24b) / Dolby TrueHD 5.1 (96k24b) / PCM Stereo (96k24b)

1. Intro / Cheepnis – Percussion / “Cheaper Than Cheep”
2. Cosmik Debris
3. Band Introductions
4. RDNZL
5. Village Of The Sun
6. Montana
7. Duke Goes Out
8. A Visit To The Art Studio
9. Inca Roads
10. “Get Down Simmons”
11. Penguin In Bondage

12. T’Mershi Duween
13. The Dog Breath Variations
14. Uncle Meat
15. How Could I Be Such A Fool
16. I’m Not Satisfied
17. Wowie Zowie
18. I Don’t Even Care
19. Let’s Make The Water Turn Black
20. Dupree’s Paradise Introduction
21. Dupree’s Paradise
22. Oh No
23. Son Of Orange County
24. More Trouble Every Day
25. Apostrophe’
26. Camarillo Brillo

Bonus
1. Time Is Money (excerpt)
2. Echidna’s Arf (Of You) – Incomplete
3. Art Studio Outtakes
4. The Amazing Mr. Bickford (excerpt)

LP1
Side 1:
1. “Cheaper Than Cheep”
2. Cosmik Debris
3. Inca Roads

Side 2:
1. RDNZL
2. Village Of The Sun
3. Montana
4. Duke Goes Out

LP2
Side 3:
1. “Get Down Simmons”
2. Penguin In Bondage
3. T’Mershi Duween
4. The Dog Breath Variations
5. Uncle Meat

Side 4:
1. How Could I Be Such A Fool
2. I’m Not Satisfied
3. Wowie Zowie
4. I Don’t Even Care
5. Let’s Make The Water Turn Black

LP3
Side 5:
1. Oh No
2. Son Of Orange County
3. More Trouble Every Day

Side 6:
1. Dupree’s Paradise
2. Apostrophe’
3. Camarillo Brillo


 


giovedì 24 aprile 2025

Waiting in Pain Riddim


create con nightcafe - arte con intelligenza artificiale


Joan Baez

Alexis Korner
 
Quicksilver Messenger Service
Joni Mitchell
Ray Charles
Dennis Brown
Willie Nelson
Peter Tosh
Federico Fellini

Neil Young
Grace Slick
Lee Scratch Perry
Julie Driscoll
Gregory Isaacs
Joni Mitchell
The Wailers
Judy Collins
Bob Marley
Tom Waits
Tina Turner
Augustus Pablo
Nick Drake
Allman Brothers Band
Al Kooper